'Action has no place in the adventure genre. We'd never know how good Fahrenheit truly was. The answer to the question misdirected the reader and did a disservice to certain fine elements of the game. The action sequences are superfluous and the frustration they build up is unforgivable.'Īnd that's where our review ends.

Progressing through the story is itself a challenge - based on a mixture of maintaining your mental strength by looking after your character's emotional needs (making sure they're drinking water, listening to music, bathing and so on during quiet moments), and handling delicate social situations logically - and that deserves real credit. It's very well written, with subtlety and emotional balance, beautifully told with suspenseful use of split-screen and other directorial devices, and there are only a couple of scenes that might have been cut (usually involving bits where you have to get the detectives to draw their conclusions when you've already figured them out). The real issue is the story - it's a clever murder mystery about a bloke who kills someone but thinks he was possessed. 'Why on earth would you want to chop all the interaction out of Fahrenheit's action sequences? Fahrenheit may have been flawed, but it worked for the most part - and it felt like the process of getting to the bottom of that would involve contradicting the man who held sway over my words many times over. Was this the saviour of the adventure game genre? Were its action sequences the awkward inclusions he'd told me they were? I wasn't sure. It was getting late my health was deteriorating, and the pressure to write something that slotted neatly on the end of Kristan's conclusion was immense.

I'd been sitting at the PC for hours trying to review Fahrenheit.

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